Introduce children to the techniques of flour resist batik and explore the history of batik in Africa. Children get a chance to practise the methods themselves.

Make a Kple Kple mask using air-dry clay. Based on their research children design and make their own versions of these fascinating African masks.

Selecting appropriate tools and techniques chn create potato stamps of their own Adinkra cloth symbols, ready to block print on a cloth.

In this session children take the image of their Australian Rainforest animal printed in the previous session and use it as a starting point for a pastel picture.

Using Where the Forest Meets the Sea children study in detail the palette of colours created by the rainforest. Then using pastels and blending techniques children create a pastel rainforest picture. Suitable for years 3 and 4.

Amazing Amazonian Appliqué! Children use the work of an artist inspired by the rainforest and Deep in a Rainforest as a starting point for some art work of their own. They create simple designs and dye their fabric nature’s way in this session.

Orang-utans are humans closest relative! Children find out more about the great ape and other great apes like chimps and gorillas, before using sketching and shading techniques to draw Orang-utans for display.

Applying their knowledge of Mozambique batik, children plan and design a wall hanging. Children sketch their designs bearing in mind the techniques of batik and the need for clear, simple images.

Children look at 1950s sculptures by Barbara Hepworth and Henry Moore and make their own similar model from clay.

Children discuss their favourite meals, made a model/drawing of it as session 4. One group prepares a chicken curry. All taste this and vote for either the 1950s chicken meal or the modern day curry.

Children look at pieces of kitchen equipment and guess which were available in the 1950s. One group make a real chicken meal, whilst the others make a typical 50s dinner from Plasticine, an ICT package or paint/collage materials. All taste the 50s dinner.

Read Benjamin Zephaniah’s poem The Men from Jamaica are Settling Down. Discuss the treatment that migrants from the Caribbean received from some British people. Explain how this lead to riots and the first Notting Hill Carnival. Children design carnival costume.

Practise cutting and joining skills by making a moving Dogger. This session links to English Plan 2 Stories with familiar settings. Learn how to cut well, make a hole in cardboard and construct moving joins using paper fasteners.

Children learn the word ‘texture’. They look carefully at their favourite toy and talk about the feel and appearance. They decide which media they want to use to represent it and do a beautiful drawing! They talk about their work and the work of other people. Suitable for years 1 and 2.

Think big and create a class mural based on the work of Afewerk Tekle. Children work collaboratively to plan and paint a mural with a biblical subject in the same style as Tekle.

New arrivals in Britain should be made to feel welcome. Think about children moving to a new school from another part of Britain or from another country. Children create posters or write leaflets to welcome newcomers to their school.

Children think about the animals that they know come from Australia and then find out if they live in any of its rainforest regions. Children then look at a list of Australian rainforest animals, and print an image from the computer.

In this session children complete their Appliqué by cutting and sewing the pieces of their design before proudly displaying it in the classroom. They take time to reflect on the whole dyeing and designing process and evaluate the finished product.

In this session children take a look at typical examples of pots created by peoples of the Rainforests. They study the differences in pattern and decoration before creating their own pot from clay and decorating it.

It’s time to come up to date and look at work of a modern Ethiopian painter: Afewerk Tekle. Children use websites to find out how his work has been influenced by the tradition of icon painting.